At MYS we believe that music theory and composition work together at the earliest stages of musical understanding in order to become a vital component of any musician’s development. Integrating composition with the teaching of theory is one of the most effective ways of codifying music theory principles into actual practice for young musicians.
Under the innovative leadership of MYS’ theory director Ryan Francis, our theory program supplements students’ instrumental education with a series of classes that introduce them to practical and contemporary music theory concepts coupled with diverse forms of musical creation and composition.
Building on a strong foundation of understanding modern standard musical notation, ear training, and notation software, students will be given the opportunity to compose in historical and contemporary musical styles and will complete musical projects with readings by MYS ensembles. MYS instructors are experienced teaching artists who effectively communicate this integrated approach.
Registration and Tuition
Students who are entering MYS’ Music Theory program for the first time will be placed in 1 of our 5 offered classes based on an evaluation. This evaluation will be sent out to new students on September 22, 2023 and placements will be sent out before the beginning of classes. In order to receive this evaluation, students must first register for the program. Students registering after September 22nd will be sent the assessment after they register. The MYS Music Theory program is open to all MYS and non-MYS students.
Students who participated in our Music Theory program for the 2022-2023 season will receive recommendations for which class they should take in the 2023-2024 season. If you are a returning student to our Music Theory program and you’re unsure of which class you should take for the 2023-2024 season, email firstname.lastname@example.org to find out.
Tuition for all Music Theory Students for the 2023-2024 season is $210.
All new and returning students must register in order to participate in our 2023-2024 classes.
Registration for 2023-2024 Music Theory has closed.
Rescheduled Date Music Theory 2, 3, 4 reading session is Tuesday, January 30th, 6:30-8:30 PM @ MYS Office
Fundamentals & Level 1 – Mondays 5:30-6:30pm
Level 2 – Tuesdays 5:30 – 6:30pm
Level 3 – Tuesdays 5:00 – 6:00pm
Level 4 – Tuesdays 6:00 – 7:00pm
- Where: Zoom (links will be emailed to students)
- Date of first class: October 9th & 10th
- Date of last class: May 13th & 14th
- No class dates:
November 20, 21
December 18, 19, 25, 26
January 1, 9
March 25, 26
Classes Offered and Instructors
All Music Theory classes will meet online via Zoom for the 2023-2024 season. Zoom links will be emailed to students once they have been placed in their respective classes.
Music Theory Fundamentals
Students focus on developing a strong foundation in reading modern standard music notation, rhythm, ear training, as well as understanding scales, key signatures, and basic compositional ideas like form, color, and texture.
Charlie Kerns has been passionate about music theory ever since they were small, figuring out songs by ear on their mother’s grand piano in their living room. They served as the sole music theory tutor during their studies at Pacific University, where they graduated with a degree in Music Education back in 2021. Charlie has performed with MYS on multiple occasions over the past couple of years as a substitute trumpet player, and they are very excited to be back to teach the beginning music theory class and work with their awesome students again!
Music Theory Level 1: Music Literacy and Creativity
Builds on the foundation of the Music Theory Fundamentals class by reinforcing musical literacy and encourages creative autonomy by building a composition quickly through improvisation and group composition exercises.
Nicholas Emerson is a composer, producer, and guitarist from Portland, OR. He studied composition and music production at Portland State University with a BS in Sonic Arts & Music Production. He is very active in the local classical music scene helping to cultivate the incredible wealth of youth talent in the Pacific Northwest and is involved with organizations including Fear No Music Young Composers Project, Portland Youth Philharmonic, Northwest Children’s Theater & School and many others. Along with Hip Hop, Nicholas has experience composing chamber music, vocal music and recently premiered a concerto for guitar and orchestra with local guitarist David Tutmark and the Tillikum Chamber Orchestra.
Music Theory Level 2: Tonal Composition
Introduces composition using modern standard tonal theory. This class focuses on composing with chord structures, including and beyond standard cadential progressions, such as added note chords, quartal/quintal harmonies and clusters. A wider variety of scales (chromatic, pentatonic, whole tone, modes) will also be introduced.
Ryan Francis’s music has received grants and awards including from the American Academy of Arts and Letters, the Jerome Foundation, and the Augustine Foundation, and his music has been performed across the U.S. and internationally. Francis is a faculty member at Pacific University where he teaches music technology, music theory, and international music studies. Francis holds a B.M. in music composition from the University of Michigan and an M.M. and D.M.A. in music composition from the Juilliard School.
Music Theory Level 3: Modern Composition
Explores contemporary harmonic and formal ideas and score analysis. Third year will focus on a small core of 20th century repertoire to be studied in depth and explore post-tonal and experimental composing techniques. Composition exercises to explore non-standard scales, polyrhythms, mixed meters and graphic notation.
Music Theory Level 4: World Traditions of Composition
Fourth year will put the orchestra in a greater world context and focuses on individual composition projects. Students will learn about different international ensemble traditions, and analyze musical styles associated with them, including Arabic and Indian classical music, Chinese bamboo and silk ensemble, Congolese soukous, and Indonesian gamelan. Students will work on composition exercises that utilize aspects of these musical traditions.
Kirsten Volness is an electro/acoustic composer and pianist whose music is inspired by nature, myth, science, spirituality, and environmental and sociopolitical issues. She has received commissions from New Music USA, the BMI Foundation, ASCAP/SEAMUS, The American Opera Project, Metropolis Ensemble, Hotel Elefant, NOW Ensemble, Transient Canvas, Ann Arbor Symphony, and Experiential Orchestra. She performs with Providence-based Verdant Vibes, a new music ensemble and concert series she co-founded in 2015. Recipient of the MacColl Johnson and RISCA Fellowships in Music Composition, Kirsten was 2017 composer-in-residence at the Music Mansion, creating the First Fridays concert series, and served on the board of directors as Secretary. She collaborates with Meridian Project on multimedia performances exploring astrophysics, writes and performs operas with the homeless advocacy group Tenderloin Opera Company, and is an affiliate artist of Sleeping Weazel theatre company. She earned composition degrees from the Universities of Michigan (DMA, MM) and Minnesota (BA summa cum laude) and has taught privately, at Lewis & Clark, Reed College, and the University of Rhode Island.