Raúl Gómez, Music Director
Raúl Gómez-Rojas is in his third season as Music Director of the Metropolitan Youth Symphony (Portland, OR), where he enjoys working with a vibrant community of conductors, coaches, staff, families and over 500 students in 15 orchestra, band and jazz ensembles. Mr. Gómez was recently selected as one of six conductors to be featured in the League of American Orchestra's 2018 Bruno Walter National Conductor Preview, after competing for the honor with nearly 150 applicants from around the world. Conductors were selected for their "experience, talent, leadership, and commitment to a career in service to American orchestras." A sought-after guest conductor for professional ensembles, Mr. Gómez's recent and upcoming engagements include multiple appearances with the Louisiana Philharmonic Orchestra, the Oregon Symphony, the Chamber Orchestra of San Antonio and Acadiana Symphony Orchestra, as well as engagements in Mexico, Brazil and Costa Rica. Mr. Gómez has previously served in artistic and musical leadership positions with the Orchestra of the Americas, Mississippi Youth Symphony Orchestra, Premier Orchestral Institute, Louisiana Sinfonietta and Kids' Orchestra (Baton Rouge, Louisiana). A native of Costa Rica, Gómez holds masters and doctoral degrees from Louisiana State University, where he studied with Carlos Riazuelo (conducting), Kevork Mardirossian and Espen Lilleslåtten (violin/viola). Additional conducting training includes a fellowship at the Aspen Music Festival and numerous masterclasses with leading conductors.
Adam LaMotte, Conductor
Adam LaMotte is becoming well known to audiences throughout the country as a leader of both period and modern ensembles. He has appeared as soloist, concertmaster, and conductor of numerous orchestras, including the Northwest Sinfonietta in Seattle, String Orchestra of the Rockies, Astoria Festival Orchestra, Portland Baroque Orchestra, and the Maggini String Orchestra in Houston. As violinist and violist, Adam has been hailed by critics as an "especially compelling" and "superb violinist" with "exceptional talent," whose performances are "energetic and exquisite." As Artistic Director of the Montana Baroque Festival, he brings first-class period instrument performances to the rural Montana community. He has co-founded two critically-acclaimed ensembles, in Portland and in Houston, and continues to produce many chamber music and chamber orchestra performances. In collaboration with ensembles such as American Bach Soloists, Portland Baroque Orchestra, Ars Lyrica, and Chanticleer, Mr. LaMotte performs on period instruments, using a fine Italian instrument made in 1730 by Bernardo Calcagni, for which he is indebted to his generous patrons who made the purchase possible.
Richard Littledyke, Conductor
Since Richard Littledyke first conducted his high school band at a performance, he knew he wanted to teach music. He completed his undergraduate studies in Utah and moved to Portland to start a career and pursue a Masters in Education. He is currently building a music program at Ockley Green Middle School where he teaches band, jazz band, ukulele, choir, and singing/songwriting classes. In addition to working with MYS, he also teaches with Vibe of Portland during their Eastwinds Summer Band Camp and has recently started playing baritone saxophone with the Mt. Tabor Community Band.
Jeffrey Peyton, Conductor
Hailed as a performer of “brilliant artistry and dazzling virtuosity,” Jeffrey Peyton possesses extensive experience in diverse roles as conductor, percussionist, composer, and educator. Mr. Peyton attended the Juilliard School in New York City on full scholarship, receiving a Masters degree in percussion performance. Additional training includes doctoral studies in instrumental conducting and percussion performance at the University of Oregon, and residencies at the Aspen and Waterloo Music Festivals. Mr. Peyton is the Principal Guest Conductor of the Oregon Ballet Theatre Orchestra and a regular guest conductor with the Eugene Symphony. He as also appeared with Anchorage Symphony, Eugene Youth Symphony, and at the Peter Britt Festival. Formerly Music Director and conductor of the Third Angle New Music Ensemble, he led collaborations and regular appearances with the Oregon Bach Festival, Cascade Music Festival, in collaboration with the Oregon Symphony, Oregon Ballet, Oregon Festival of American Music, PICA (Portland Institute for Contemporary Art), and throughout the Pacific Northwest, including numerous commercial recordings. Mr. Peyton has held academic and conducting appointments at Portland State University, Lewis and Clark College, University of Oregon, Pacific University and George Fox University. Mr. Peyton currently serves as principal timpanist of the Oregon Ballet Theatre Orchestra, section percussionist with the Portland Opera Orchestra, and is a regular guest percussionist and timpanist with the Oregon Symphony. A published composer, Mr. Peyton’s concert works have been performed extensively throughout the United States, Asia and Europe, and have been featured on three commercial recordings. In addition to his musical activities, Mr. Peyton is a licensed psychotherapist, and owns a thriving private practice (Peyton Adolescent Therapy, LLC) specializing in the emotional wellbeing of adolescents and young adults.
Kevin A. Lefohn, Conductor
Hillsboro Chamber Strings
Violinist Kevin A. Lefohn maintains an international career as recital soloist, chamber musician, and pedagogue. His performances have earned considerable acclaim, with performances, workshops, and masterclasses presented throughout Australia, Japan, New Zealand, the United States, and South East Asia. He studied with Dorothy DeLay, Piotr Milewski, and Kurt Sassmannshaus at the University of Cincinnati-College Conservatory of Music, Kathryn Lucktenberg at the University of Oregon, and with members of both the Emerson and the Tokyo String Quartets. He has held faculty teaching positions at the University of Oregon and the University of Otago where he was Professor of Violin and founding Director of the renowned Marama Strings Project from 1998-2007. He was the founder and Artistic Director of New Zealand’s Queenstown Violin Summer School and Festival of Chamber Music. As an executive arts administrator, he has served as Manager of Artistic Planning for the Christchurch Symphony Orchestra and as Executive Director of the Portland Youth Philharmonic. He performs with the Bodhi Trio and currently holds faculty teaching positions at the University of Portland and Pacific University. He maintains a Portland-based private studio, an international studio via online video lessons, and frequently travels overseas for performances, masterclasses and teaching residencies.
Erica Boland, Conductor
Hillsboro Overture Strings
Erica Boland, nêe Mehlhorn began studying violin through the Suzuki Method at the age of 3 under the tutelage of Susan Kempter in Albuquerque, NM. Erica decided to pursue a degree is music at the University of Texas at Austin where studied with Dr. Eugene Gratovich, and began teaching with the UT String Project Program. Erica graduated with a Bachelors of Music Studies with High Honors and received her K-12 teaching certification. Erica continued her musical studies at the University of Northern Arizona in Flagstaff, AZ. Erica studied violin with Dr. Louise Scott and worked as a graduate assistant to the Suzuki training program and the NAU conductor, Victor Liva. She performed with the Flagstaff Symphony Orchestra and served as Principal Second Violin for a portion of the 2001-2002 season. Erica also directed the Flagstaff Junior Orchestra for 2 years during her studies. Erica graduated with a Masters in Music with Distinction and completed her long-term teacher training in the Suzuki Method Books 1-4. After her graduate degree, Erica moved back to Albuquerque, NM where she opened her own violin studio, taught Orchestra in the Albuquerque Public Schools, and taught sectionals with the Albuquerque Junior Symphony. Erica enjoyed performing at weddings and other functions with the Empire String Quartet. In 2014 Erica moved with her family to Portland, Oregon where she continues to teach and perform violin. Erica is a member of the American String Teachers Association, Suzuki Association of the Americas, and the Oregon Suzuki Association.
Alexandria Christy, Conductor
Alex Christy has been a music educator since 2006. A native of Denver, CO, she received a Bachelor of Music in Music Education from Colorado State University before relocating to the Northwest. After beginning her career teaching band and choir in public schools she received a Master of Music in Instrumental Conducting from Portland State University and began working as a freelance music educator. Currently she maintains a large private studio teaching clarinet and saxophone to students of all ages across the greater Portland/Vancouver area. She is a frequent instrumental clinician, guest conductor, and adjudicator in schools, youth instrumental ensembles, and festivals, and is a longtime member of the instructional staff of the Skyview High School marching band in Vancouver, WA. Ms. Christy performs with the Oregon Symphonic Band and the Zephyr Clarinet Choir.
Greg McKelvey, Conductor
Greg McKelvey has taught music in the public schools for 25 years. From 1982 through 1994 while teaching at Wilson High School, his bands won over 150 trophies and attracted students from all over Portland. His Advanced Jazz Band (A.K.A.) The “Green Machine,” won numerous awards including first place in the nation at the 1990 Musicfest U. S.A. National Championships held in Oakland, California. That same year, this band performed for then President George Bush and former President Ronald Reagan. In 1993, Greg McKelvey along with Thara Memory and Ronnye Harrison founded the Cultural Recreation Band. Within three years, that band qualified for the State High School Band contest with mostly Elementary and Middle School inner city student musicians. Greg has taught at Jackson High School, Rieke Elementary School, Sabin Elementary School, Marshall High School and Portland Community College. Currently, Greg is the Director of Bands at Battle Ground High School, in Battle Ground, Washington, teaches at the Northwest Academy and, runs the instrumental music program at Self Enhancement Inc. At Battle Ground High School, his bands have won many awards including first place in their division in the Portland Rose Festival Grand Floral Parade the last three years. The Battle Ground Advanced Jazz Band has won sweepstakes twice at the Clackamas Community College Jazz Festival, first place at the Lionel Hampton Jazz Festival in Idaho, first place at the Portland Rose Festival Jazz Band Classic, and in 2002 recorded a CD entitled ‘How Sweet It Is’ featuring nine jazz classics. Greg gives private saxophone lessons and, serves as Board President for the Renaissance Academy which, is an after school music program affiliated with the Irvington Covenant Church. Read about Jazz Band
Ryan Meagher, Conductor
Ryan Meagher is a critically acclaimed jazz guitarist and composer with five albums as lead guitar released on internationally distributed record labels. He teaches at Mt. Hood Community College, Lower Columbia College, Portland Community College and various community music schools. His latest album “Tango in the City of Roses” received high praise from Downbeat and other leading jazz publications. He combines a wealth of experience from his time in the New York jazz scene with fresh energy and ideas. He is extremely knowledgeable in the history and tradition of jazz, and his unique voice is a result of his work with some of the greatest living jazz musicians and pedagogues.
Michael Roberts, Director of Percussion
Michael Roberts joined the Oregon Symphony during the 2012-2013 season. He has also performed with the Boston Symphony, Boston Pops, Detroit Symphony, Kansas City Symphony, Portland Symphony (ME), New World Symphony, and Hyogo PAC Orchestra. Michael’s summer engagements include fellowships with the Verbier Festival Orchestra, Spoleto Music Festival, Schleswig-Holstein Music Festival, National Orchestral Institute, Music Academy of the West, and the Tanglewood Music Center, where the Boston Globe hailed him as a “fearlessly accomplished performer.” A native of Fairfax County, VA, Michael began his musical studies on piano at the age of eight, and percussion at age ten. After high school, he moved to Boston, where he earned a B.M. from the New England Conservatory, and his M.M. from Boston University. Michael’s principal teachers were J. William Hudgins and Timothy Genis. In his free time, Michael enjoys publishing and promoting the piano and chamber works of his grandfather, composer Arnold Mysior. He is also a strong advocate for new music, and enjoys performing with Portland-based ensembles Third Angle and fEARnoMUSIC. (from the Oregon Symphony website) (Bio courtesy of OSO)
Marian Gutiérrez, Conductor
Portland Overture Strings
Born in Venezuela, Marian was formed within "El Sistema" founded by maestro José Antonio Abreu. At the age of 12, she was selected as a violinist in the Venezuelan National Children's and Youth Symphony Orchestra. In 2001 she moved to Caracas to study violin at the Latin-American Violin Academy, she got a position in the Simón Bolívar Symphony Orchestra performing in worldwide theaters such as Carnegie Hall (USA), Berlin Philharmonie (Germany), Royal Albert Hall (England) Teatro Alla Scala di Milano (Italy) under batons of renowned conductors such as Sir Simon Rattle, Claudio Abbado, Lorin Maazel, and Gustavo Dudamel. In 2017 she moved to Miami and was part of the first violin section of The Miami Symphony Orchestra and its production team as well. In 2018 she moved to Portland to be part of the teaching artists staff of BRAVO Youth Orchestra and manager of the BRAVO Community Orchestra.
Giancarlo Castro D’Addona, Conductor
Awarded composer, conductor and trumpet player. Giancarlo has been recognized as one of the most exceptional artists formed in “El Sistema” from Venezuela. His compositions have been performed in scenarios such as Carnegie Hall in New York, Disney Concert Hall in L.A, Radio France Theater in Paris, the Royal Albert Hall in London, Berlin Konzerthaus in Berlin, Vienna Concertgebouw in Vienna among others. Giancarlo’s music is performed around the world by groups and soloists as Laurentius Dinca (Violinist of Berlin Philharmonic Orchestra), Carol Jantsch (Principal Tuba of the Philadelphia Orchestra) and U.S. Marine Band which performed one of his pieces in the U.S. Capitol in Washington D.C. Some of his works have been recorded under the EMI Classics, Genuin and Euroarts labels and also has been recognized as “best seller” in Europe becoming mandatory works in international Wind Band and soloist competitions. He has been recognized with a gold medal at the Global Music Awards in San Diego ‑ California (USA) as a composer in 2016. As a conductor, he has performed with many orchestras and chamber music groups as Simón Bolívar Orchestra (Venezuela), Paris Symphonic Orchestra (France), Orchestra Valentiana (France), Twin Ports Wind Orchestra (Minnesota) among others. In 2018 he moved to Portland to be part of the teaching artist staff of Bravo Youth Orchestra and conductor of BRAVO Community Orchestra. Giancarlo recently completed his work "Euphantasy" commissioned by the renowned French Euphonist Bastien Baumet for the new album "Radiance” recorded by the Air Force Band of Lisbon in Portugal. His last work “Tuba Sonatina” commissioned by Carol Jantsch was premiered at the International Tuba Euphonium Conference 2019 in Iowa. On September 2019 Giancarlo will be the new Conductor of Sinfonietta Orchestra Program at MYS and principal conductor of Reed College Orchestra.
Patrick Murphy, Conductor
Patrick Murphy serves as Director of Bands and Associate Professor of Music at the University of Portland, where his responsibilities include conducting the Wind Symphony, Chamber Winds, and Pep Band, and coordinating wind chamber music activities. He is also the conductor of the Southwest Washington Wind Symphony and the Portland Community Wind Band. Dr. Murphy is a recipient of a national Graves Award in the Humanities for his research into Soviet military band music, and he was recently a guest lecturer at the Russian Academy of Music. He has presented his professional research and music education sessions in both the United States and Europe. Dr. Murphy holds a Doctor of Musical Arts in Wind Conducting from the University of Arizona, an M.A. in Music Education from the University of Minnesota, and a B.M. in Music Education from Washington State University. He has nine years of public school teaching experience at the high school and middle school levels in California, Ohio and Nebraska, has conducted numerous honor ensembles and clinics as well as dozens of musical theatre productions, and is an active adjudicator. Dr. Murphy and his wife, Susan, live in Vancouver with their three children. Read about Symphonic Band
Paloma Griffin Hébert, Conductor
The multifaceted career of violinist Paloma Griffin Hébert includes solo appearances and collaborations with leading musicians throughout North America and Europe, as well as orchestral, pedagogical, and popular music activities. Formerly the Assistant Concertmaster of the Oregon Symphony, Paloma is currently a member of the modern classical ensemble fEARnoMUSIC, which she led as Artistic Director from 2011-2014. She has also served as a Guest Concertmaster for the Eugene Symphony and a tutti violinist with Norway’s Kristiansand Symfonieorkester. Paloma's solo appearances include concerts with the Oregon Symphony, the Fresno Philharmonic, and the Arizona Musicfest Orchestra. As a touring member of the band Pink Martini from 1999-2008, she performed in Carnegie Hall and the Hollywood Bowl, and with such orchestras as the San Francisco Symphony, the Los Angeles Philharmonic, and the Orchestre de Paris. Paloma can be heard on Pink Martini’s 2004 album "Hang On, Little Tomato", and 2007’s "Hey Eugene", among others. She appeared with the band on "The Late Show With David Letterman" and "Late Night With Conan O'Brien." A frequent guest artist at music festivals around the US, she has also taught and coached chamber music workshops at Oregon State University, Cornish College of the Arts in Seattle, and beginning in 2017, the Northwest Orchestra Institute in central Washington. Paloma was a graduate fellow at the New World Symphony in Miami Beach under conductor Michael Tilson Thomas. Prior to that, she studied at the Eastman School of Music and the San Francisco Conservatory. Her principal teachers include Charles Castleman, Ian Swensen and Claudia Shuih.